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    • 2021-2022
      • alán carrasco - todo el mundo habla del tiempo. nosotros no
      • antonio ortega - el múltiple i la seva rèplica
      • jordi colomer - standard colors / colors standard
      • maría maría acha-kutscher - indignadas
      • marinella senatore - it's time to go back to street
    • 2020-2021
      • joan pallè - l'amor altre
      • avelino sala - beyond words
      • eugenio merino - monumento a la corrupción
      • mounir fatmi - the observer effect
      • abdelkader benchamma - rayon fossile
      • ella, el ojo, el dedo, la mano
    • 2019-2020
      • laura llaneli - palpitar palpar
      • carlos pazos - interrogantes suspendidos o déjà vu?
      • carlos aires - nothing new
      • 5994 is just a number
      • alán carrasco - a soviet militiaman eats a mcdonald's hamburger in moscow
    • 2018-2019
      • democracia - order act i. eat the rich - kill the poor
      • federico solmi - mundus novus
      • kendell geers - #iprotestthereforeiam
      • domènec - y la tierra será el paraíso
      • margaret harrison - it hasn't changed: and babies?
    • 2017-2018
      • núria güell · levi orta · adelita husni-bey - al final de todos los sueños humanos no hay más que polvo
      • marcos ávila forero - desde las montañas
      • adrian melis - memoria selectiva
      • pep vidal - who wants to be an impatient gardener?
      • jordi colomer - baixar al carrer / bajar a la calle / descendre dans la rue / going down into the street
      • salim bayri - welcoming
    • 2016-2017
      • eugenio merino, home swiss home / tobias bernstrup, south of heaven
      • democracia - order. act iii. dinner at the dorchester
      • virginie barré & bruno peinado - soft power
      • kendell geers - propagandada
    • 2015-2016
      • núria güell - buenas intenciones
      • carlos pazos - naufragios recientes
      • iván argote - la puesta en marcha de un sistema
      • bouchra khalili - foreign office
    • 2014-2015
      • pep vidal - trees, treelines and global patterns
      • avelino sala - walk to the end of the world
      • adrian melis - surplus production line
      • marcos ávila forero - paisajes revoltosos
      • mounir fatmi - light and fire
      • democracia - os protegemos de vosotros mismos
      • luz broto - 17m (artnou)
    • 2013-2014
      • cómplices y testigos
      • carlos aires - this is not just fucking business
      • adrian melis - time to relax
      • art nou - rebel karaoke by ivan brazhkin & time to relax by adrian melis
    • 2012-2013
      • "ten is more than a number" - exposición colectiva de artistas de adn galería por su 10º aniversario
      • iván argote - un millón de amigos
      • núria güell - alegaciones desplazadas
      • chus garcía fraile - cuestión de fe
      • democracia - ser y durar
    • 2011-2012
      • igor eskinja - right constructions
      • adrian melis - nuevas estructuras de producción
      • kendell geers - hellraiser
      • abdelkader benchamma - le signal faible
      • ulrich vogl - she brings the rain
    • 2010-2011
      • virginie barré - close up
      • bruno peinado - wild angle
      • carlos aires - let's get physical
      • democracia - ser y durar
      • regina josé galindo - xx
      • santiago cirugeda - for sale
      • eugenio merino - we don't need another hero
      • tobias bernstrup - body 5 arrives
    • 2009-2010
      • igor eškinja - nowheristan
      • daniel & geo fuchs - forces
      • jean-luc moerman - hybrid icons
      • scratch
      • democracia - ne vous laissez pas consoler
      • concha pérez - lo que nos queda
    • 2008-2009
      • carlos aires - danzad, danzad, malditos
      • virginie barré - pieces
      • bruno peinado - masses
      • chus garcía-fraile - megalópolis
      • sin estado
      • ismael iglesias - red skywalker
      • fermín moreno - zeropean
      • abdelkader benchamma - même les choses invisibles se cachent
      • eugenio merino - global warming
    • 2007-2008
      • five is only a number
      • paperless marks
      • federico solmi - evil empire
      • igor eskinja - fleeting (fugaz)
      • judas arrieta - monday
      • daniel & geo fuchs - works of a decade
      • concha pérez - refugios / ausencias / abandonos
    • 2006-2007
      • marc quintana - ad hóminem
      • drawing & dreaming
      • tobias bernstrup - enemies of the earth
      • virginie barré & bruno peinado - blissfully
      • te mando un colega
      • ismael iglesias - dancing with your eyes
      • chus garcía-fraile - se vende
    • 2005-2006
      • shiro masuyama - intervention
      • federico solmi - king kong and the end of the world
      • wolf hamm - a vida o muerto
      • fermín moreno - double top
      • concha pérez - alojamientos
      • tobias bernstrup - killing spree
      • screening 1
      • valérie prot - oh my god!
      • nic hess - a room with a window
    • 2004-2005
      • tengo que cortarme una oreja
      • adn 2
      • marc quintana - ikons 2
      • situaciones urbanas: unidades de ejecución 2 y 15
      • architecture parallax: the blind architect - t.b.a.
      • carlos noria & carmen gómez - contrapeso y... sobre las íes
      • virginie barré & bruno peinado - el corte francés
      • ismael iglesias - let us play
      • alejandro vidal - protecting idols
  • fairs
    • 2021-2022
      • drawing now - paris
      • art brussels
      • artgenève - suisse
      • arco - madrid
      • paris photo
      • swab - barcelona
      • around video - lille
      • art-o-rama - marseille
    • 2020-2021
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      • by invitation - barcelona
    • 2019-2020
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      • untitled - miami
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      • paréidolie - marseille
    • 2018-2019
      • art brussels - bruxelles
      • the armory show - new york
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      • untitled - miami
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      • 1-54 - london
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    • 2017-2018
      • art brussels - bruxelles
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      • untitled - miami
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    • 2016-2017
      • volta 13 - basel
      • loop - barcelona
      • art brussels - bruxelles
      • art paris - paris
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      • art genève - genève
      • untiltled - miami
      • artissima - torino
    • 2015-2016
      • volta 12 - basel
      • loop - barcelona
      • art brussels - bruxelles
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      • art international - istanbul
    • 2014-2015
      • volta 11 - basel
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    • 2013-2014
      • volta 10 - basel
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      • volta 9 - basel
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    • 2011-2012
      • volta 8 - basel
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    • 2008-2009
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Abdelkader Benchamma - Même les choses invisibles se cachent
documents  ·  images
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Abdelkader Benchamma - Même les choses invisibles se cachent
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Abdelkader Benchamma, Même les choses invisibles se cachent, 2008
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Abdelkader Benchamma, Même les choses invisibles se cachent, 2008
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Abdelkader Benchamma, Même les choses invisibles se cachent, 2008
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Abdelkader Benchamma, Même les choses invisibles se cachent, 2008
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Abdelkader Benchamma, Même les choses invisibles se cachent, 2008
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Abdelkader Benchamma, Même les choses invisibles se cachent, 2008
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Abdelkader Benchamma, Même les choses invisibles se cachent, 2008
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Abdelkader Benchamma, Même les choses invisibles se cachent, 2008

“The monolith in 2001, Odissey in Space by Stanley Kubrick, that perfect stone made by someone and all that primitive men around it.  When I was a child I was really impressed by this big question and I moved this feeling to my work.” (A.Benchamma)

 

In Mêmes les choses invisibles se cachent, Abdelkader Benchamma presents his latest works; wall drawings and drawings on paper on various formats. 

 

Born in 1975 in Algeria and living now in Montpellier, Benchamma developed a deep-rooted passion for drawing and artistic notions since his childhood.  He was used to transfer his interests in drawing comics and investigating the unknown. He studied Fine Arts in Montpellier and Paris while already participating in some exhibitions. During his undergraduate studies he started using other media like painting and sculpture, but undoubtedly he could reach the perfect expression of his art by drawing. He grew up with the atmospheres of American contemporary authors like Don DeLillo, Denis Johnson and William Burroughs with artistic tendencies of the 70´s known at bad painting. Benchamma is an authentic virtuoso of detailed and precise work,   his stylistic resource is based on drawing with a clear link to writing, giving the same importance and relevance to empty and full spaces. He establishes a poetic relationship between winding forms and the influences of Japanese calligraphy, complementing with the use of big format and site specific interventions.

His methodology is the materialization in situ of his proposals, using a fresh and improvised tendency, sometimes without making any previous sketch. His personal universe stretch on situations in which nature and unidentified characters poses questions on us about absolute truths.  He places us in bucolic situations where supernatural strengths surprise us. He creates unnatural movements, incongruent situations, disconcerting details; he makes us feel absurdity within enigmatic situations.  Benchamma prefers making questions instead of giving answers, conferring him a unique artistic personality.  

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